Beyond the Landscape: An Exhibition of Paintings and Drawings by Lori Fuller
“Beyond the Landscape” featured acrylic paintings and colored pencil drawings inspired by the natural landscape offering a detailed look at the textures, rhythms, and unique color palette found in nature and examines our interaction with our natural environment.
Corn, Water, Time and Space: An Exhibition of Paintings and Photographs by Barbara Curtis McDonnell
This exhibit featured oil-on-canvas paintings as well as several color photographs exploring various aspects of the Midwest landscape. In the past, McDonnell’s artwork has reflected the connection between oceans and prairies and vast fields of corn. “What interests me now is a voyage into the center of a corn field, bushwhacking and discovering visual connections between shapes,” reflected McDonnell on the inspiration for her newest work.
Infrared Landscapes: A Photographic Exhibition by Constance Sarantos
This exhibit featured 14 digital infrared photographs of landscapes taken at Japan House in Urbana, Illinois and the Chicago Botanic Garden in Glencoe, Illinois. Sarantos explores the spectrum of light invisible to the human eye, near infrared light. To take photos of visible light, cameras include filters to block off light sources such as infrared and UV. Without these filters, photographs would not properly depict what the human eye sees. Thus, to capture photos in near infrared, she replaced the hot mirror filter blocking infrared light in her camera and used post-processing to achieve more natural blue sky colors and higher saturation.
Flowers From Our Garden: A Photographic Exhibition by William Capel
This exhibit featured eight enlarged photographs of flower blossoms: three sunflowers, one green and one yellow zinnia, a red columbine, a blue iris, and a faded yellow daylily. This exhibition grew out of Capel’s use of emerging digital technologies that make possible extremely sharp, large-scale images. Capel enjoys seeing how viewers react to the previously indiscernible and unnoticed details contained in the heart of a flower. When asked about his personal reaction to the images, Capel’s response is simple: “Astonishment! The images, best viewed up close, tend to suck you in.”